The head of a school in a little French country town encourages the playful romances between his young students, as well as a love of jazz music.

This episode of Carnets filmés, Délices lointains, which spans the year 2004, reaches its climax in its last part with my trip to Mexico with the photographer Barbara Peón Solis.

A woman living in the projects decides to run for mayor. At first she is taken as a joke but slowly picks up steam and is taken serious.

A young woman instantly falls in love with her new upstairs neighbor who has a nasty habit of moving bodies in bags in the middle of the night down the stairwell. From time to time, he asks his neighbor for a hand. Or a knife. Or to keep the body for a few days. So much so that she ends up falling as much in love with the last corpse he left on her arms.

Amours Collectives starts out as libertarian porn, but ends up more like direct cinema, in which the film itself functions as its own making-of! Witty, salacious scenes follow one after another, with the director more or less becoming the central character.

The most famous Scenes and Arias from French operas

Pierre and Georges both love Gretel who, in turn, is in love with Georges. Georges falls in love with another, Dolly, but the lover of the latter threatens to stop supporting him.

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